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Copyright
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LAWS OF MALAYSIA
REPRINT
Act 332
COPYRIGHT ACT 1987
Incorporating all amendments up to 1 January 2006
PUBLISHED BY
THE COMMISSIONER OF LAW REVISION, MALAYSIA
UNDER THE AUTHORITY OF THE REVISION OF LAWS ACT 1968
IN COLLABORATION WITH
PERCETAKAN NASIONAL MALAYSIA BHD
2006
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COPYRIGHT ACT 1987
Date of Royal Assent
... ... ... ... ...
30 April 1987
Date of publication in the Gazette ... ...
21 May 1987
PREVIOUS REPRINT
First Reprint
...
...
...
...
...
2001
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LAWS OF MALAYSIA
Act 332
COPYRIGHT ACT 1987
ARRANGEMENT OF SECTIONS
PART I
PRELIMINARY
Section
1.
Short title, application and commencement
2.
Extent of application
3.
Interpretation
4.
Publication
5.
Controller, Deputy Controllers and Assistant Controllers
PART II
GENERAL PROVISIONS
6.
No copyright except by virtue of this Act
7.
Works eligible for copyright
8.
Derivative works
9.
Copyright in published editions of works
10.
Qualification for protection
10A. Qualification for protection of performer
11.
Copyright in works of Government, Government organizations and
international bodies
12.
Administration of Government copyright
PART III
NATURE AND DURATION OF COPYRIGHT
13.
Nature of copyright in literary, musical or artistic works, films and
sound recordings
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Section
13A. Design documents and models
13B. Effect of exploitation of design derived from artistic work
13C. Things done in reliance on registration of design
14.
Nature of copyright in works of architecture
15.
Nature of copyright in broadcasts
16.
Broadcasting of works incorporated in films
16A. Nature of performers' right
16B. Equitable remuneration
17.
Duration of copyright in literary, musical or artistic works
18.
Duration of copyright in published editions
19.
Duration of copyright in sound recording
20.
Duration of copyright in broadcasts
21.
(Deleted)
22.
Duration of copyright in films
23.
Duration of copyright in works of Government, Government organizations
and international bodies
23A. Duration of performers' rights
23B. Duration of an equitable remuneration
24.
(Deleted)
25.
Moral rights
25A. Moral right of a performer
PART IV
OWNERSHIP AND ASSIGNMENT OF COPYRIGHT
26.
First ownership of copyright
27.
Assignment, licences and testamentary disposition
PART IVA
COPYRIGHT LICENSING
27A.
Licensing schemes to which sections 27B to 27G apply
27B.
Reference of proposed licensing scheme to Tribunal
27C.
Reference of licensing scheme to Tribunal
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Section
27D. Further reference of licensing scheme to Tribunal
27E. Application for grant of licence in connection with licensing scheme
27F. Application for review of order as to entitlement to licence
27G. Effect of order of Tribunal as to licensing scheme
27H. Licences to which sections 27I to 27L apply
27I. Reference to Tribunal of terms of proposed licence
27J. Reference to Tribunal of expiring licence
27K. Application for review of order as to licence
27L. Effect of order of Tribunal as to licence
PART V
COPYRIGHT TRIBUNAL
28.
Establishment of Copyright Tribunal
29.
Appointment of Chairman and members of Tribunal
30.
Proceedings before the Tribunal
30A. Reference of questions of law to High Court
31.
Licence to produce and publish translation
32.
(Deleted)
33.
Tribunal may request for information
34.
No action to lie against Tribunal
35.
Regulations relating to Tribunal
PART VI
REMEDIES FOR INFRINGEMENTS AND OFFENCES
36.
Infringements
37.
Action by owner of copyright and relief
38.
Proceedings in case of copyright subject to exclusive licence
39.
Restriction on importation of infringing copies
39A. Application of sections 36, 37, 38 and 39 to performers' right
40.
Back-up copy of computer program
41.
Offences
41A. Compounding of offences
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Section
42.
Affidavit admissible in evidence
43.
Penalty
PART VII
ENFORCEMENT
44.
Entry by warrant or otherwise
45.
Effecting entry, removal and detention
46.
List of things seized
47.
Sealing of things
48.
Obstruction to search, etc.
49.
Warrant admissible notwithstanding defects, etc.
50.
Powers of investigation
50A. Power of arrest
51.
Admissibility of statement
52.
Disclosure of information
53.
Institution of prosecution
54.
Forfeiture of articles
55.
Proportional examination of articles seized to be accepted
56.
Protection of informers from discovery
57.
Protection of Assistant Controllers and police officers
PART VIII
MISCELLANEOUS
58.
(Deleted)
59.
Regulations
59A. Extension of application of Act
59B. Power of Minister to exclude from definition of "broadcast"
60.
Savings
61.
Repeal
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LAWS OF MALAYSIA
Act 332
COPYRIGHT ACT 1987
An Act to make better provisions in the law relating to copyright
and for other matters connected therewith.
[1 December 1987,P.U.(B)586/1987]
BE IT ENACTED by the Seri Paduka Baginda Yang di-Pertuan
Agong with the advice and consent of the Dewan Negara and
Dewan Rakyat in Parliament assembled, and by the authority of
the same, as follows:
PART I
PRELIMINARY
Short title, application and commencement
1. (1) This Act may be cited as the Copyright Act 1987 and shall
come into force on such date as the Minister may, by notification
in the Gazette, appoint and different dates may be appointed for
the coming into force of different provisions of this Act.
(2) This Act shall apply throughout Malaysia.
Extent of application
2. (1) Subject to this section and section 59A and regulations
made under section 59A, this Act shall apply in relation to works
made before the commencement of this Act as it applies in relation
to works made after the commencement of this Act:
Provided that this section shall not be construed as reviving any
copyrights which had expired before the commencement of this
Act.
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(2) Where only by virtue of subsection (1) copyrights subsist
in works that were made before the commencement of this Act,
nothing done before the commencement of this Act shall be taken
to constitute an infringement of those copyrights.
(3) For the purposes of this section, a work the making of
which extended over a period of time shall not be deemed to have
been made before the commencement of this Act unless the making
of the work was completed before such commencement.
Interpretation
3. In this Act, unless the context otherwise requires--
"adaptation" includes any of the following, that is to say--
(a) in relation to a literary work, a version of the work
(whether in its original language or a different language)
in which it is converted into a dramatic work;
(b) in relation to a dramatic work, a version of the work
(whether in its original language or a different language)
in which it is converted into a literary work;
(c) in relation to a literary or dramatic work--
(i) a translation of the work;
(ii) a version of the work in which the story or action
is conveyed wholly or mainly by means of pictures
in a form suitable for reproduction in a book or in
a newspaper, magazine or similar periodical;
(d) in relation to a literary work in the form of a computer
program, a version of the work, whether or not in the
language, code or notation in which the work was originally
expressed not being a reproduction of the work;
(e) in relation to a musical work, an arrangement or
transcription of the work;
(f) in relation to a literary or artistic work, a version of the
work (whether in its original language or a different
language) in which it is converted into a film;
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"appointed date" has the same meaning as is assigned to that
expression in the Intellectual Property Corporation of Malaysia
Act 2002 [Act 617];
"artistic work" means--
(a) a graphic work, photograph, sculpture or collage,
irrespective of artistic quality;
(b) a work of architecture being a building or a model for
a building; or
(c) a work of artistic craftsmanship,
but does not include a layout-design within the meaning of the
Layout-Designs of Integrated Circuits Act 2000 [Act 601];
"Assistant Controller" means the person appointed or deemed
to have been appointed to be an Assistant Controller under subsection
5(2) or (3);
"author"--
(a) in relation to literary works, means the writer or the
maker of the works;
(b) in relation to musical works, means the composer;
(c) in relation to artistic works other than photographs, means
the artist;
(d) in relation to photographs, means the person by whom
the arrangements for the taking of the photograph were
undertaken;
(e) in relation to films or sound recordings, means the person
by whom the arrangements for the making of the film or
recording were undertaken;
(f) in relation to broadcasts transmitted from within any
country, means--
(i) the person transmitting the programme, if he has
responsibility for the selection of its contents; or
(ii) any person providing the programme who makes
with the person transmitting it the arrangements
necessary for its transmission;
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(g) in relation to any other cases, means the person by whom
the work was made;
"broadcast" means a transmission, by wire or wireless means,
of visual images, sounds or other information which--
(a) is capable of being lawfully received by members of the
public; or
(b) is transmitted for presentation to members of the public,
and includes the transmission of encrypted signals where the means
for decrypting are provided to the public by the broadcasting
service or with its consent;
"broadcasting service" means any service of radio or television
broadcast, operated under the general direction and control of or
under licence by the Government, in any part of Malaysia;
"building" includes any fixed structure, and a part of a building
or fixed structure;
"citizen" includes a person who, if he had been alive on the
relevant day, would have qualified for citizenship under the Federal
Constitution;
"communication to the public" means the transmission of a
work or live performance through wire or wireless means to the
public, including the making available of a work or live performance
to the public in such a way that members of the public may access
the work or live performance from a place and at a time individually
chosen by them;
"computer program" means an expression, in any language,
code or notation, of a set of instructions (whether with or without
related information) intended to cause a device having an information
processing capability to perform a particular function either directly
or after either or both of the following:
(a) conversion to another language, code or notation;
(b) reproduction in a different material form;
"Controller" means the Controller of Copyright as designated in
subsection 5(1);
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"copy" means a reproduction of a work in written form, in the
form of a recording or film, or in any other material form;
"copyright" means copyright under this Act;
"Corporation" means the Intellectual Property Corporation of
Malaysia established under the Intellectual Property Corporation
of Malaysia Act 2002;
"Deputy Controller" means the person appointed or deemed to
have been appointed to be a Deputy Controller under subsection
5(2) or (3);
"derivative works" means the works mentioned in paragraphs 8(1)(a)
and (b);
"educational institution" shall have the same meaning as assigned
to it in the Education Act 1961 [Act 550];
"film" means any fixation of a sequence of visual images on
material of any description, whether translucent or not, so as to
be capable by use of that material with or without any assistance
of any contrivance--
(a) of being shown as a moving picture; or
(b) of being recorded on other material, whether translucent
or not by the use of which it can be so shown,
and includes the sounds embodied in any soundtrack associated
with a film;
"fixation" means the embodiment of sounds, images or both, or
the representation thereof, in a material form sufficiently permanent
or stable to permit them to be perceived, reproduced or otherwise
communicated during a period of more than transitory duration;
"future copyright" means copyright which will or may come
into existence in respect of any future works or class of works or
other subject matter, or on the coming into operation of any provision
of this Act, or in any future event;
" G o v e r n m e n t " means the Government of Malaysia or the
Government of any State;
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"graphic work" includes--
(a) any painting, drawing, diagram, map, chart or plan; and
(b) any engraving, etching, lithograph, woodcut or similar
work;
"infringing copy"--
(a) in relation to copyright, means any reproduction of any
work eligible for copyright under this Act the making of
which constitutes an infringement of the copyright in the
work or, in the case of any article imported into Malaysia
without the consent of the owner of the copyright, the
making of which was carried out without the consent of
the owner of the copyright;
(b) in relation to performers' right, means any reproduction
of any recording of a live performance the making of
which constitutes an infringement of the performers' right
or, in the case of any recording imported into Malaysia
without the consent of the performer, the making of which
was carried out without the consent of the performer;
"licence" means a lawfully granted licence in writing, permitting
the doing of an act controlled by copyright;
"licensing body" means a society or other organization which
has as its main object, or one of its main objects, the negotiation
or granting, either as owner or prospective owner of copyright or
as agent for him, of copyright licences, and whose objects include
the granting of licences covering works of more than one author;
"licensing scheme" means a scheme (including anything in the
nature of a scheme, whether described as a scheme or as a tariff
or by any other name) setting out--
(a) the classes of case in which the operator of the scheme,
or the person on whose behalf he acts, is willing to grant
copyright licences; and
(b) the terms on which licences would be granted in those
classes of case;
"literary work" includes--
(a) novels, stories, books, pamphlets, manuscripts, poetical
works and other writings;
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(b) plays, dramas, stage directions, film scenarios, broadcasting
scripts, choreographic works and pantomimes;
(c) treatises, histories, biographies, essays and articles;
(d) encyclopaedias, dictionaries and other works of reference;
(e) letters, reports and memoranda;
(f) lectures, addresses, sermons and other works of the same
nature;
(g) tables or compilations, whether or not expressed in words,
figures or symbols and whether or not in a visible form;
and
(h) computer programs,
but does not include official texts of the Government or statutory
bodies of a legislative or regulatory nature, or judicial decisions;
"live performance"--
(a) includes--
(i) a performance of a dramatic work, or part of such
a work, including such a performance given with the
use of puppets, or the performance of an improvised
dramatic work;
(ii) a performance of a musical work or part of such a
work, or the performance of an improvised musical
work;
(iii) the reading, recitation or delivery of a literary work,
or part of such a work, or the reading, recitation or
delivery of an improvised literary work;
(iv) a performance of a dance;
(v) a performance of a circus act or a variety act or any
similar presentation or show; or
(vi) a performance in relation to expressions of folklore,
which is given live by one or more persons in Malaysia,
whether in the presence of an audience or otherwise; but
(b) does not include--
(i) any reading, recital or delivery of any item of news
or information;
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(ii) any live performance of a sporting activity; or
(iii) a participation in a live performance by a member
of an audience;
"manuscript", in relation to a work, means the original document
embodying the work, whether written by hand or not;
"material form", in relation to a work or a derivative work,
includes any form (whether visible or not) of storage from which
the work or derivative work, or a substantial part of the work or
derivative work can be reproduced;
"Minister" means the Minister for the time being charged with
the responsibility for intellectual property;
"musical work" means any musical work, and includes works
composed for musical accompaniment;
"performer" means a person who performs a live performance
under this Act;
"performers' right" means the performers' right under this Act;
"photograph" means a recording of light or other radiation on
any medium on which an image is produced or from which an
image may by any means be produced, and which is not part of
a film;
"premises" means any place, stationary or otherwise established
or set up by any person, whether such place is with or without
enclosure, and also includes vehicles, aircraft, ships and any other
vessel;
"qualified person",--
(a) in relation to an individual, means a person who is a
citizen of, or a permanent resident in, Malaysia; and
(b) in relation to a body corporate, means a body corporate
established in Malaysia and constituted or vested with
legal personality under the laws of Malaysia;
"rebroadcast" means a simultaneous or subsequent broadcast by
one broadcasting service of the broadcast of another broadcasting
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service, whether situated in Malaysia or abroad, and includes diffusion
of such broadcast over wires; and "rebroadcasting" shall be construed
accordingly;
"recording" means a sound recording or film, other than a recording
made under subsection 16A(3);
"relevant day" means Merdeka Day in respect of Peninsular
Malaysia and Malaysia Day in respect of Sabah, Sarawak and the
Federal Territory of Labuan;
"reproduction" means the making of one or more copies of a
work in any form or version, and in relation to an artistic work
includes the making of a copy in three dimensions of a two-
dimensional work and the making of a copy in two dimensions of
a three-dimensional work, and "reproducing" shall be construed
accordingly;
"sculpture" includes a cast or model made for the purposes of
a sculpture;
"sound recording" means any fixation of a sequence of sounds
or of a representation of sounds capable of being perceived aurally
and of being reproduced by any means, but does not include a
soundtrack associated with a film;
"Tribunal" means the Copyright Tribunal established under section
28; and
"work of joint authorship" means a work produced by the
collaboration of two or more authors in which the contribution of
each author is not separable from the contribution of the other
author or authors.
Publication
4. (1) Subject to this section, for the purposes of this Act--
(a) a literary, musical or artistic work, or an edition of such
a work, shall be deemed to have been published only if
a copy or copies of the work have been made available
with the consent of the author or of any person lawfully
claiming under the author in a manner sufficient to satisfy
the reasonable requirements of the public, whether by
sale or otherwise;
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(b) a film shall be deemed to have been published only if a
copy or copies of the film have been sold, let on hire,
or offered or exposed for sale or hire, with the consent
of the author or of any person lawfully claiming under
the author in a manner sufficient to satisfy the reasonable
requirements of the public;
(c) a sound recording shall be deemed to have been published
only if a copy or copies of such sound recording have
been made available with the consent of the author or of
any person lawfully claiming under the author in a manner
sufficient to satisfy the reasonable requirements of the
public; and
(d) a live performance shall be deemed to have been published
only if a copy or copies of the fixed live performance
have been made available with the consent of the performer
in a manner sufficient to satisfy the reasonable requirements
to the public.
(2) For the purposes of this Act, the performance of a literary
or musical work and the exhibition of an artistic work does not
constitute publication of the work.
(3) For the purposes of this Act, a publication shall be deemed
to be a first publication in Malaysia if--
(a) the work or live performance was first published in Malaysia
and not elsewhere; or
(b) the work or live performance was first published elsewhere
but published in Malaysia within thirty days of such
publication elsewhere.
(4) Where in the first instance a part only of a work or live
performance is published, that part shall be treated for the purposes
of this Act as a separate work or live performance, as the case may
be.
Controller, Deputy Controllers and Assistant Controllers
5. (1) The Director General of the Corporation shall be the
Controller of Copyright.
(2) The Corporation may appoint, on such terms and conditions
as it may determine, from amongst any public officers and persons
in the employment of the Corporation, such number of Deputy
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Controllers of Copyright, Assistant Controllers of Copyright and
other officers as may be necessary for the proper administration
of this Act, and may revoke the appointment of any person so
appointed or deemed to have been so appointed under subsection
(3).
(3) The persons holding office as Deputy Controllers, Assistant
Controllers and other officers under this Act before the appointed
date shall on the appointed date be deemed to have been appointed
as Deputy Controllers, Assistant Controllers and such other officers
under subsection (2).
(4) Subject to the general direction and control of the Controller
and to such conditions or restrictions as may be imposed by the
Controller and subject to section 41A, a Deputy Controller or an
Assistant Controller may exercise any function of the Controller
under this Act, and anything by this Act appointed or authorized
or required to be done or signed by the Controller may be done
or signed by any Deputy Controller or Assistant Controller and the
act or signature of a Deputy Controller or an Assistant Controller
shall be as valid and effectual as if done or signed by the Controller.
PART II
GENERAL PROVISIONS
No copyright except by virtue of this Act
6. Subject to this Act, no copyright shall subsist otherwise than
by virtue of this Act.
Works eligible for copyright
7. (1) Subject to this section, the following works shall be eligible
for copyright:
(a) literary works;
(b) musical works;
(c) artistic works;
(d) films;
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(e) sound recordings; and
(f) broadcasts.
(2) Works shall be protected irrespective of their quality and
the purpose for which they were created.
(2A) Copyright protection shall not extend to any idea, procedure,
method of operation or mathematical concept as such.
(3) A literary, musical or artistic work shall not be eligible for
copyright unless--
(a) sufficient effort has been expended to make the work
original in character; and
(b) the work has been written down, recorded or otherwise
reduced to material form.
(4) A work shall not be ineligible for copyright by reason only
that the making of the work, or the doing of any act in relation
to the work involves an infringement of copyright in some other
work.
(5) Copyright shall not subsist under this Act in any design
which is registered under any written law relating to industrial
design.
(6) Copyright in any design which is capable of being registered
under any written law relating to industrial design, but which has
not been so registered, shall cease as soon as any article to which
the design has been applied has been reproduced more than fifty
times by an industrial process by the owner of the copyright or,
with his license, by any other person.
(7) For the purpose of this section, "any written law relating
to industrial design" includes:
(a) the United Kingdom Designs (Protection) Act 1949
[Act 214];
(b) the United Kingdom Designs (Protection) Ordinance of
Sabah [Sabah Cap. 152]; and
(c) the Designs (United Kingdom) Ordinance of Sarawak
[SWK Cap. 59].
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Derivative works
8. (1) The following derivative works are protected as original
works:
(a) t r a n s l a t i o n s , adaptations, arrangements and other
transformations of works eligible for copyright; and
(b) collections of works or collections of mere data, whether
in machine readable or other form, eligible for copyright
which, by reason of the selection and arrangement of
their contents, constitute intellectual creation.
(2) Protection of works referred to in subsection (1) shall be
without prejudice to any protection of the existing works used.
Copyright in published editions of works
9. (1) Copyright shall subsist, subject to the provisions of this
Act, in every published edition of any one or more literary, artistic
or musical work in the case of which either--
(a) the first publication of the edition took place in Malaysia;
or
(b) the publisher of the edition was a qualified person at the
date of the first publication thereof:
Provided that this subsection does not apply to an edition which
reproduces the typographical arrangement of a previous edition of
the same work or works.
(2) Subject to the provisions of this Act, the publisher of an
edition shall be entitled to any copyright subsisting in the edition
by virtue of this section.
(3) Subject to the provisions of this Act, the act restricted by
the copyright subsisting by virtue of this section in an edition is
the making of a reproduction of the typographical arrangement of
the edition.
(4) Reproduction of the typographical arrangement of a published
edition for the purposes of research, private study, criticism, review
or the reporting of current events does not infringe the copyright
subsisting by virtue of this section if such reproduction is compatible
with fair dealing:
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Provided that if such reproduction is made public it is accompanied
by an acknowledgement of the title of the work and its authorship,
except where the work is incidentally included in a broadcast.
(5) The Government, the National Archives, or any State
Archives, the National Library, or any State library, or any public
libraries and educational, scientific or professional institutions as
the Minister may by order prescribe, may reproduce the typographical
arrangement of a published edition without infringing the copyright
subsisting by virtue of this section if such reproduction is in the
public interest and is compatible with fair dealing and the provisions
of any regulations.
Qualification for protection
10. (1) Copyright shall subsist in every work eligible for copyright
of which the author or in the case of a work of joint authorship,
any of the authors is, at the time when the work is made, a
qualified person.
(2) Copyright shall also subsist in every work which is eligible
for copyright and which--
(a) being a literary, musical or artistic work or film or sound
recording is first published in Malaysia;
(b) being a work of architecture is erected in Malaysia or
being any other artistic work is incorporated in a building
located in Malaysia;
(c) being a broadcast is transmitted from Malaysia.
(3) Notwithstanding subsections (1) and (2), copyright shall
subsist, subject to this Act, in every work eligible for copyright
if the work is made in Malaysia.
Qualification for protection of performer
10A. Performers' right shall subsist in every live performances of
which the performer is--
(a) a citizen or permanent resident of Malaysia; or
(b) not a citizen or permanent resident of Malaysia but whose
performance--
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(i) takes place in Malaysia;
(ii) is incorporated in sound recordings that are protected
under this Act; or
(iii) has not been fixed in a sound recording but is
included in a broadcast qualifying for protection
under this Act.
Copyright in works of Government, Government organizations
and international bodies
11. (1) Copyright shall subsist in every work which is eligible
for copyright and which is made by or under the direction or
control of the Government and such Government organizations or
international bodies as the Minister may by order prescribe.
(2) Section 10 shall not be taken to confer copyright on works
to which this section applies.
Administration of Government copyright
12. Where the copyright in any work is vested in the Government,
the Ministry or Department concerned with the copyright shall be
responsible for the administration and control of that copyright on
behalf of the Government:
Provided that the Ministry or Department concerned may authorize
the Director of National Archives to administer and control that
copyright on behalf of the Government.
PART III
NATURE AND DURATION OF COPYRIGHT
Nature of copyright in literary, musical or artistic works, films
and sound recordings
13. (1) Copyright in a literary, musical or artistic work, a film,
or a sound recording or a derivative work shall be the exclusive
right to control in Malaysia--
(a)
the reproduction in any material form;
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(aa) the communication to the public;
(b)
the performance, showing or playing to the public;
(c)
(Deleted by Act A994);
(d)
(Deleted by Act A994);
(e)
the distribution of copies to the public by sale or other
transfer of ownership; and
(f)
the commercial rental to the public,
of the whole work or a substantial part thereof, either in its original
or derivative form provided that, without prejudice to paragraph
(e), the exclusive right to control the distribution of copies refer
only to the act of putting into circulation copies not previously put
into circulation in Malaysia and not to any subsequent distribution
of those copies or any subsequent importation of those copies into
Malaysia.
(2) Notwithstanding subsection (1), the right of control under
that subsection does not include the right to control--
(a) the doing of any of the acts referred to in subsection (1)
by way of fair dealing for purposes of non-profit research,
private study, criticism, review or the reporting of current
events, subject to the condition that if such use is public,
it is accompanied by an acknowledgement of the title of
the work and its authorship, except where the work is in
connection with the doing of any of such acts for the
purposes of non-profit research, private study and the
reporting of current events by means of a sound recording,
film or broadcast;
(b) the doing of any of the acts referred to in subsection (1)
by way of parody, pastiche or caricature;
(c) the inclusion in a film or broadcast of any artistic work
situated in a place where it can be viewed by the public;
(d) the reproduction and distribution of copies of any artistic
work permanently situated in a place where it can be
viewed by the public;
(e) the incidental inclusion of a work in an artistic work,
sound recording, film or broadcast;
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(f) the inclusion of a work in a broadcast, performance,
showing, or playing to the public, collection of literary
or musical works, sound recording or film, if such inclusion
is made by way of illustration for teaching purposes and
is compatible with fair practice:
Provided that mention is made of the source and of
the name of the author which appears on the work used;
(ff) any use of a work for the purpose of an examination by
way of setting the questions, communicating the questions
to the candidates or answering the questions:
Provided that a reprographic copy of a musical work
shall not be made for use by an examination candidate
in performing the work;
(g) the recording made in schools, universities or educational
institutions of a work included in a broadcast intended
for such schools, universities or educational institutions;
(gg) the making of a sound recording of a broadcast, or a
literary, dramatic or musical work, sound recording or a
film included in the broadcast insofar as it consists of
sounds if such sound recording of a broadcast is for the
private and domestic use of the person by whom the
sound recording is made;
(ggg) the making of a film of a broadcast, or a literary, artistic,
dramatic or musical work or a film included in the broadcast
insofar as it consists of visual images if such making of
a film of the broadcast is for the private and domestic use
of the person by whom the film is made;
(gggg) the making of copies of television broadcasts which are
subtitled or otherwise modified for people who are deaf
or hard of hearing, or physically or mentally handicapped
in other ways and the issuing of such copies to the public
by non-profit making bodies or institutions which the
Minister may, by order, prescribe;
(h) the reading or recitation in public or in a broadcast by
one person of any reasonable extract from a published
l i t e r a r y work if accompanied by sufficient
acknowledgement;
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(i) any use made of a work by or under the direction or
control of the Government, by the National Archives or
any State Archives, by the National Library, or any State
library, or by such public libraries and educational, scientific
or professional institutions as the Minister may by order
prescribe, where such use is in the public interest and is
compatible with fair practice and the provisions of any
regulations, and--
(i) no profit is derived therefrom; and
(ii) no admission fee is charged for the performance,
showing or playing, if any, to the public of the
work thus used;
(j) the reproduction of any work by or under the direction
or control of a broadcasting service wholly-owned by the
Government where such reproduction or any copies thereof
are intended exclusively for a lawful broadcasting and
are destroyed before the end of the period of six calendar
m o n t h s immediately following the making of the
reproduction or such longer period as may be agreed
between the broadcasting service and the owner of the
relevant part of the copyright in the work:
Provided that any reproduction of a work made under
this paragraph may, if it is of exceptional documentary
character, be preserved in the archives of the broadcasting
service which are hereby designated official archives for
the purpose, but subject to this Act, shall not be used for
broadcasting or for any other purpose without the consent
of the owner of the relevant part of the copyright in the
work;
(k) the performance, showing or playing of a work by a non-
profit making club or institution where such performance,
showing or playing is for charitable or educational purpose
and is in a place where no admission fee is charged in
respect of such performance, showing or playing;
(l) any use of a work for the purposes of any judicial
proceedings, the proceedings of a royal commission, a
legislative body, a statutory or Governmental inquiry, or
of any report of any such proceedings, or for the purpose
of the giving of professional advice by a legal practitioner;
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25
(m) the making of quotations from a published work if they
are compatible with fair practice and their extent does
not exceed that justified by the purpose, including quotations
from newspaper articles and periodicals in the form of
press summaries:
Provided that mention is made of the source and of the
name of the author which appears on the work thus used;
(n) the reproduction by the press, the broadcasting or the
showing to the public of articles published in newspapers
or periodicals on current topics, if such reproduction,
broadcasting or showing has not been expressly reserved:
Provided that the source is clearly indicated;
(o) the reproduction by the press, the broadcasting or the
performance, showing or playing to the public of lectures,
addresses and other works of the same nature which are
delivered in public if such use is for informatory purposes
and has not been expressly reserved; and
(p) the commercial rental of computer programs, where the
program is not the essential object of the rental.
(3) For the purposes of paragraph (2)(l), "a legislative body"
means the Parliament of Malaysia or, in relation to a State, the
authority having power under the Constitution of that State to
make laws for the State, as the case may be.
Design documents and models
13A. (1) It shall not be an infringement of any copyright in a
design document or model recording or embodying a design for
anything other than an artistic work or a typeface--
(a) to make an article to the design, or to copy or to reproduce
an article made to the design; or
(b) to issue to the public, or include in a film, broadcast or
cable programme service, anything the making of which
was, by virtue of paragraph (a), not an infringement of
that copyright.
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(2) In this section--
"design" means the design of any aspect of the shape or
configuration (whether internal or external) of the whole or part
of an article, other than surface decoration; and
"design document" means any record of a design, whether in the
form of a drawing, a written description, a photograph, data stored
in a computer or otherwise.
Effect of exploitation of design derived from artistic work
13B. (1) This section applies where an artistic work has been
exploited, by or with the licence of the copyright owner, by--
(a) making, by an industrial process or means, articles falling
to be treated for the purposes of this section and sections
13A and 13C as copies of the work; and
(b) marketing such articles in Malaysia or elsewhere.
(2) Without prejudice to subsection 7(6), after the end of the
period of twenty-five years from the end of the calendar year in
which such articles are first marketed, the work may be copied by
making articles of any description, or doing anything for the purpose
of making articles of any description, and anything may be done
in relation to articles so made, without infringing copyright in the
work.
(3) Where only part of an artistic work is exploited as mentioned
in subsection (1), subsection (2) applies only in relation to that
part.
(4) The Minister may by order make provision--
(a) as to the circumstances in which an article, or any
description of article, is to be regarded for the purposes
of this section as made by an industrial process or means;
and
(b) for excluding from the operation of this section such
articles of a primarily literary or artistic character as he
thinks fit.
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(5) In this section--
(a) references to articles do not include films; and
(b) references to the marketing of an article shall be construed
as references to it being sold or let for hire or offered or
exposed for sale or hire.
Things done in reliance on registration of design
13C. (1) The copyright in an artistic work is not infringed by
anything done--
(a) in pursuance of an assignment or licence made or granted
by a person registered under the Registered Designs Act
1949 of the United Kingdom [12, 13 & 14 Geo. VI c.88]
or under any written law enforced in Malaysia at the
material time as the proprietor or owner of a corresponding
design; and
(b) in good faith in reliance on the registration and without
notice of any proceedings for the cancellation of the
registration or for rectifying the relevant entry in the
register of designs,
notwithstanding any defect that may afterwards be discovered in
the registration.
(2) In subsection (1) a "corresponding design", in relation to
an artistic work, means a design or an industrial design, as the case
may be, within the meaning of the Registered Designs Act 1949
of the United Kingdom or any written law enforced in Malaysia
at the material time which if applied to an article would produce
something which would be treated for the purposes of this section
and sections 13A and 13B as a copy of the artistic work.
(3) For the purpose of this section, "any written law enforced
in Malaysia at the material time" includes--
(a) the United Kingdom Designs (Protection) Act 1949;
(b) the United Kingdom Designs (Protection) Ordinance of
Sabah; and
(c) the Designs (United Kingdom) Ordinance of Sarawak.
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Nature of copyright in works of architecture
14. Copyright in a work of architecture shall include the exclusive
right to control the erection of any building which reproduces the
whole or a substantial part of the work either in its original form
or in any form recognizably derived from the original:
Provided that the copyright in any such work shall not include
the right to control the reconstruction or rehabilitation in the same
style as the original, of a building to which that copyright relates.
Nature of copyright in broadcasts
15. (1) Copyright in a broadcast shall be the exclusive right to
control in Malaysia the recording, the reproduction, and the
rebroadcasting, of the whole or a substantial part of the broadcast,
and the performance, showing or playing to the public in a place
where an admission fee is charged of the whole or a substantial
part of a television broadcast either in its original form or in any
way recognizably derived from the original.
(2) Notwithstanding subsection 13(1), paragraphs 13(2)(a), (g),
(gg), (ggg), (gggg), (h) and (o) shall also apply to the copyright
in a broadcast.
(3) The copyright in a television broadcast shall include the
right to control the taking of still photographs from such broadcasts.
Broadcasting of works incorporated in films
16. (1) Where the owner of the copyright in any literary, musical
or artistic work authorizes a person to incorporate the work in a
film and a broadcasting service broadcasts the film in the absence
of any express agreement to the contrary between such owner and
person, it shall be deemed that the owner of the copyright authorized
the broadcast.
(2) Notwithstanding subsection (1), where a broadcasting service
broadcasts a film in which a literary, musical or artistic work is
incorporated, the owner of the right to broadcast the literary, musical
or artistic work shall be entitled to receive fair compensation from
the broadcasting service.
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29
Nature of performers' right
16A. (1) Performers' right shall be the exclusive right to control
in Malaysia--
(a) the communication to the public of a live performance,
e x c e p t where the live performance used in such
communication is itself a live broadcast performance;
(b) the fixation of an unfixed performance;
(c) the reproduction of the fixation of a live performance
if--
(i) the fixation itself was done without the performer's
consent;
(ii) the reproduction is made for purposes different from
those for which the performer gave consent; or
(iii) the fixation was made in accordance with subsection
(3), and the reproduction is made for purposes
different from those referred to in these provisions;
(d) the first making available to the public of a fixation of
a live performance, or copies thereof, through sale or
other transfer of ownership; and
(e) rental to the public of a fixation of a live performance,
or copies thereof, irrespective of the ownership of the
copy rented.
(2) A performer shall cease to have the exclusive right under
subsection (1) once has given consent to the fixation of his live
performance.
(3) Notwithstanding subsection (1), the right to control under
that subsection does not include the right to control--
(a) a direct or an indirect sound recording or an indirect film
of a live performance--
(i) being a sound recording or film made solely for the
purpose of the private and domestic use of the
person who made it; or
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(ii) being a sound recording or film made solely for the
purpose of use in scientific research;
(b) a direct or indirect sound recording or film of a live
performance--
(i) made for the purpose of, or associated with, the
reporting of news or current affairs;
(ii) made for the purpose of criticism or review; or
(iii) made solely for the purpose of a judicial proceeding
or the giving of professional advice by a legal
practitioner;
(c) an indirect sound recording or film of a live performance--
(i) being a sound recording or film made by, or on
behalf of, the body administering an educational
institution solely for the educational purposes of
that institution or of another educational institution;
or
(ii) being a sound recording or film made by, or on
behalf of, the body administering an institution
assisting persons with a print disability solely for
t h e purpose of the provision, whether by the
institution or otherwise, of assistance to persons
with a visual, aural, intellectual and print disability;
(d) a direct sound recording or film of a live performance
made by a broadcaster who has the consent of the performer
to broadcast the live performance, being a recording made
solely for the purpose of making that broadcast provided
that it is destroyed before the end of the period of twelve
months beginning on the day on which any of those
copies is first used for broadcasting the live performance;
(e) a direct or an indirect sound recording or an indirect film
of a live performance made by a person who reasonably
believes, due to a fraudulent or innocent misrepresentation
made to the person, that the performer has authorized the
making of the recording by the person;
(f) a copy of a sound recording or film referred to in paragraphs
(a), (b), (c) and (d), being a copy made solely for a
purpose referred to in any of those paragraphs;
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(g) a copy of a sound recording or film referred to in paragraph
(e), being a copy made solely for the purpose referred to
in that paragraph; and
(h) a copy of a sound recording or film referred to in paragraph
(f), being a copy made--
(i) by a person who believes, due to a fraudulent or
innocent representation made to the person, that
the performer has consented to the making of the
copy; or
(ii) solely for a purpose referred to in paragraphs (a),
(b), (c) and (d).
(4) For the purpose of this section--
"direct" in relation to a sound recording or film of a live
performance, means made directly from a live performance;
"indirect" in relation to a sound recording or film of a live
performance, means made from a broadcast or re-broadcast of the
live performance.
Equitable remuneration
16B. (1) Where a sound recording is published for commercial
purposes or a reproduction of such recording is publicly performed
or used directly for broadcast or other communication to the public,
an equitable remuneration for the performance shall be payable to
the performer by the user of the sound recording.
(2) Remuneration shall not be considered inequitable merely
because it was paid by way of single payment or at the time of
the transfer of the rental right.
(3) Nothing in this section shall be construed so as to deprive
a performer of the right to agree by contract on terms and conditions
more favourable for him in respect of his live performance.
(4) For the purpose of this section--
"published for commercial purpose" means the sound recording
has been made available to the public by wire or wireless means
in such a way that members of the public may access them from
a place and at a time individually chosen by them;
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"rental right" means the right under paragraph 16A(1)(e).
Duration of copyright in literary, musical or artistic works
17. (1) Except as otherwise provided in this Act, copyright in
any literary, musical or artistic work which subsists in such work
under this Act shall subsist during the life of the author and shall
continue to subsist until the expiry of a period of fifty years after
his death.
(2) Where a literary, musical or artistic work had not been
published before the death of the author, copyright which subsists
in such work under this Act shall continue to subsist until the
expiry of a period of fifty years computed from the beginning of
the calendar year next following the year in which the work was
first published.
(3) Where a literary, musical or artistic work is published
anonymously or under a pseudonym, copyright which subsists in
such work under this Act shall continue to subsist until the expiry
of a period of fifty years computed from the beginning of the
calendar year next following the year in which the work was first
published or first made available to the public or made, whichever
is the latest:
Provided that in the event of the identity of the author becoming
known, the duration of copyright shall be calculated in accordance
with subsection (1).
(4) In this section, a reference to "author" shall, in the case of
a work of joint authorship, be construed as a reference to the
author who dies last.
Duration of copyright in published editions
18. Copyright which subsists in a published edition under this Act
shall continue to subsist until the expiry of a period of fifty years
computed from the beginning of the calendar year next following
the year in which the edition was first published.
Duration of copyright in sound recording
19. Copyright which subsists in a sound recording under this Act
shall continue to subsist until the expiry of a period of fifty years
computed from the beginning of the calendar year next following
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the year in which the recording was first published or, if the sound
recording has not been published, from the beginning of the calendar
year following the year of fixation.
Duration of copyright in broadcasts
20. Copyright which subsists in a broadcast under this Act shall
continue to subsist until the expiry of a period of fifty years
computed from the beginning of the calendar year next following
the year in which the broadcast was first made.
21. (Deleted by Act A994).
Duration of copyright in films
22. Copyright which subsists in a film under this Act shall continue
to subsist until the expiry of a period of fifty years computed from
the beginning of the calendar year next following the year in
which the film was first published.
Duration of copyright in works of Government, Government
organizations and international bodies
23. C o p y r i g h t which subsists in works of the Government,
Government organizations and international bodies under this Act
shall continue to subsist until the expiry of a period of fifty years
computed from the beginning of the calendar year next following
the year in which the work was first published.
Duration of performers' rights
23A. Rights in a live performance which subsists under this Act
shall continue to subsist until the expiry of a period of fifty years
computed from the beginning of the calendar year next following
the year in which the live performance was given.
Duration of an equitable remuneration
23B. The right to equitable remuneration shall subsist from the
time the sound recording is published until the expiry of a period
of fifty years computed from the beginning of the calendar year
next following the year of publication or, if the sound recording
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has not been published, from the time of fixation of the sound
recording until the expiry of a period of fifty years computed from
the beginning of the calendar year next following the year of the
fixation.
24. (Deleted by Act A775).
Moral rights
25. (1) For the purposes of this section, the word "name" includes
initials or monograms.
(2) Subject to this section, where copyright subsists in a work,
no person may, without the consent of the author, or, after the
author's death, of his personal representative, do or authorize the
doing of any of the following acts:
(a) the presentation of the work, by any means whatsoever,
without identifying the author or under a name other than
that of the author; and
(b) the distortion, mutilation or other modification of the
work if the distortion, mutilation or modification--
(i) significantly alters the work; and
(ii) is such that it might reasonably be regarded as
adversely affecting the author's honour or reputation.
(3) Where a person is authorized, whether by virtue of an
assignment, a licence or otherwise, to publish, reproduce, perform
in public or communicate to the public a work, that person may
make modifications to the work if it would be reasonable to expect
that the authorized publication, reproduction, public performance
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